Saturday, October 13, 2012
Meet Tony
Thursday, August 9, 2012
Love Thy Neighbor
Our street. |
Our Neighbor, Julie |
Wednesday, June 6, 2012
incarnation
Listen
|
Submerge
|
Invite
|
|
Live
|
|||
Work
|
|||
Play
|
Saturday, April 7, 2012
Stay Awhile
Last month, the following story was circulating around the internet:
Three minutes went by, and a middle aged man noticed there was musician playing. He slowed his pace, and stopped for a few seconds, and then hurried up to meet his schedule.
A minute later, the violinist received his first dollar tip: a woman threw the money in the till and without stopping, and continued to walk.
A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again. Clearly he was late for work.
The one who paid the most attention was a 3 year old boy. His mother tagged him along, hurried, but the kid stopped to look at the violinist. Finally, the mother pushed hard, and the child continued to walk, turning his head all the time. This action was repeated by several other children. All the parents, without exception, forced them to move on.
In the 45 minutes the musician played, only 6 people stopped and stayed for a while. About 20 gave him money, but continued to walk their normal pace. He collected $32. When he finished playing and silence took over, no one noticed it. No one applauded, nor was there any recognition.
No one knew this, but the violinist was Joshua Bell, one of the most talented musicians in the world. He had just played one of the most intricate pieces ever written, on a violin worth $3.5 million dollars.
Two days before his playing in the subway, Joshua Bell sold out at a theater in Boston where the seats averaged $100.
This is a real story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste, and priorities of people. The outlines were: in a commonplace environment at an inappropriate hour: Do we perceive beauty? Do we stop to appreciate it? Do we recognize the talent in an unexpected context?
Daleen and I are working through a book, Practicing the Way of Jesus by Mark Scandrette, with a small group of people from Thirdway Church. As we’ve engaged both individual and corporate spiritual practices, I’ve noticed that these practices serve us in much the same way as the children in this story. Under the direction of the Spirit, our spiritual practices tug at us to slow down, to listen, to pay attention, and to stay awhile. They beg for us to linger in the presence of God, to notice what He is up to, both in our lives and in the world around us. The Spirit is constantly bidding us to live in tune with the music of God’s kingdom.
Throughout this Lenten season, God has been wooing me to savor my time with Him and with others. Woody Allen once said, “80% of success is just showing up.” I sense that there is some truth in this as I pursue greater depth in my relationship with God. In the busyness of life, I find that it takes some creativity, and attentiveness, to make space where I can linger in His presence and quiet myself before Him. Often this doesn’t come in huge blocks of time where I can sit alone in solitude, but rather in the ordinary and everyday routines of life.
Monday, March 19, 2012
Friday, March 2, 2012
Creating Space and Shared Practices
'Unless you are the queen of England, you probably don't live in a museum. We might visit a museum occasionally or, for many of us, just once or twice in a lifetime. Museums preserve the history of a nation or civilization, displaying the best achievements of artists and artisans over decades, centuries or millenniums. I've always been fascinated by the contrast between the order and prestige of museums - where works of art are displayed in rooms gleaming with marble and stationed with security guards - and the places where most artwork is made: in dingy warehouses in low-rent districts, in studios splattered with paint or piled with debris. The most important visitor to the museum is not the patron or connoisseur, but the artist, in her paint-splattered pants, who comes to the museum to pay respect and be inspired by those who have gone before her. The museum preserves the long conversation about what art is, and the community of artists labor with the hope of making their contribution to this ongoing dialogue, that one day their work will be worthy of display.
Monday, February 13, 2012
building blocks
In a chapter titled To The Legoland Station, Chabon explores the development of Legos and the freedom of imagination and creativity in children. Chabon points out the simplicity of Legos when he was a child. Squares and rectangles, six basic colors, simple trees, snap-in doors and windows, and red sloping roof tiles. Abstract, minimal, and never meant to be "realistic," we accepted Legos for what they were, a product for our imagination. Open-ended and exploratory.
What used to be basic building blocks for your imagination and creativity to run wild, have now become elaborate attempts to create realism based on predetermined outcomes. Most Lego kits now come with detailed, step-by-step instructions for creating miniature versions of things like race cars, pirate ships and pretty much anything from the Star Wars movies. The dreaming and scheming of working with these basic building blocks has been substituted with the frustration of trying to follow a 47-page manual with no words. And once some of these elaborate things are made, children are cautious in playing with them for fear of breaking them or losing an irreplaceable part.
As I read this chapter about Legos, I kept thinking about church planting. The building blocks for church seem to be fairly basic. I'm thinking in terms of things like prayer, service, care, teaching, fellowship, worship, communion, etc. With basic building blocks like these, under the supervision of the Spirit, the possibilities for how a church lives out its mission within its specific context are endless.
What I have seen, and have been guilty of myself on occasion, is trying to plant a living, local body of Christ using some formulaic set of rules with a predetermined outcome. It's as though we have more confidence in "tried and true" models than in our ability to hear from God and partner with what He is already busy doing. We serve a creative God, who has given us all that we need, but we often turn from the hard work of listening, praying and submerging for quick fixes that boost our numbers and give the appearance of success.
One of the goals of play is to engage the imagination and unleash creativity. Similarly, in church planting we need to engage the heart and imagination of God and unleash His creative Spirit. The substance of church, the transformation of its people and its impact on the surrounding community has less to do with forms, and more to do with heart and spirit. Unfortunately, young church planters often become disillusioned, confused or frustrated somewhere along the way because the reality of what is may not resemble some self-prescribed ideal.
Because of this, our team has made it our mission to walk alongside young church planters as they work out the dreams that God has laid on their hearts. The results may not follow one of the “prescribed formulas” of church planting, but they certainly strive to be in tune with the heart of God, His kingdom and His mission.